A friend and I decided to visit this last week, lured by the introduction of the Gallery’s website:
“The notion of the found object as artistic material, content and subject-matter provides the inspiration for The Everyday and Extraordinary, an exhibition presenting a Wunderkammer of modern and contemporary artworks drawn from the Arts Council Collection. The show brings together a fusion of materials, processes and innovative ideas, celebrating the physicality of objects in this predominantly digital age.
Found objects or ‘objet trouvé’ provide infinite inspiration for artists. When, in 1913, Marcel Duchamp used a found object in his work, he introduced the term ‘ready-made’ to art. Whether modified, presented in a new context or left unchanged found objects have had an enduring impact on artistic practice, with artists appropriating and transforming objects in many ways to communicate particular ideas or concepts. Surrealists used ‘the everyday’ as an invocation of humour and satire whilst Pop Artists directly appropriated items from popular culture. Techniques of the ready-made continue to engage and inspire contemporary artists today.”
We both like to use found objects in our work so thought this exhibition would be right up our street.
Anya Gallacio’s installation Preserve (Chateau) shown above in its original form, has been deliberately allowed to rot and is now looking very sad. The frame is somewhat misted up and the flowers have died and are dropping out of the base. Stated to be a sombre meditation on the passing of time, it consists of 100 red gerberas sandwiched between the wall and a pane of glass. Preserve Beauty was the paradoxical title of a work in which no attempt is made to conserve the wilting flowers.
I liked Mona Haltom’s sculpture + And – but, like many other exhibits, it does not incorporate found objects. A wooden box is filled with sand. Like a clock, it’s two hands rotate. The serrated hand draws concentric rings in the sand and these are then obliterated when the smooth hand follows. There is something soothing about this repetition.
The above work by Tony Cragg was made in 1978. This does use the found – hundreds of pieces of plastic. As a regular beachcomber, I identified with the fact that there is a horrendous amount of such items to be easily found upon our shores and I can only suppose that forty years ago this work was saying something new. Today I found it too simplistic to be considered a piece of art.
I did like the following exhibits which I photographed together with their notes:
but, overall, my friend and I both considered the exhibition disappointing. Too few exhibits featuring the genuinely found and those that did, were not particularly inspiring. Do let me know what you think!
And finally, we walked along the seafront where we saw two of the five new beach huts installed recently and available to hire. As art installations, I enjoyed them. You can read more about them and view the others by following the link above:
4 thoughts on “The Everyday and Extraordinary – An Arts Council Collection National Partners Exhibition at The Towner Gallery, Eastbourne”
Everyone riding on the coattails of “found” materials and re-use…like greenwashing?
The beachhuts are rather fun…although they seem over-the-top high end and quite frivolous.
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I liked the beach huts as “statement pieces” better than most of the exhibition!
Amazing artwork. Love the clock hands in the sand and……Crow and Carrion really is extraordinary. There are so many interesting artists on the internet – impossible to view them all, but thanks for sharing this exhibition.
Yes I think I would choose Crow and Carrion as my favourite
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