A few days in Eastbourne

Last week I did a second course with Debbie Lyddon.  I have long admired Debbie’s work and when I spotted a course with her, I jumped at the chance – twice!  I blogged earlier about the Winchester course so here is a little more about the course at Studio 11 (an excellent place run by Christine Chester right near the railway station in the town.  I would heartily recommend all concerned – Debbie was very generous in sharing her knowledge and Christine provided excellent lunches and all day drinks and biscuits and the studio has just about everything there for you to make use of if you have not managed to bring the kitchen sink with you to the course!

The first thing we did was to take a trip to Birling Gap.

Chalk two ways
Birling Gap chalk

We took 10 minutes just to sit and take in the view, the atmosphere, and to look around at the cliffs, the shore and the sea.  We then spent an hour walking and collecting things that caught our interest.  I am always one for found man-made objects so was delighted to find a “rock-hopper” on the shore, and a special one at that!  I also collected an Evian rubber stopper and a couple of stones of particular merit, together with some dried seaweed, a piece of twine, a piece of fossilised wood and a lump of chalk.  These items were to form the basis of the course.

Back at the studio, we made sketchbooks and drew our chosen items first thinking about texture and then form. From our drawings, we then made a paper model of our favourite drawing.

 

The next step was to render the model in fabric.  I have yet to complete my Rock Hopper work but watch this space.

Debbie also taught us how to make vessels from fabric, rendering them firm enough to stand alone using home made gesso (from the chalk we had collected) and wax.  On the last afternoon, we returned to Birling Gap to photograph our makes in the place of their birth!

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My gesso vessel
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My three wax vessels
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Vessels in situ

Time to Play

Yesterday was the first of what I hope will be many – a study day supporting individual practice at West Dean College.  I did not arriving knowing what I was going to do (unlike everyone else) but the word “respond” struck a chord and I decided to look at some of my found objects with that in mind.  Below is a lovely bit of metal that I found on the shore near my home – I find it beautiful in its own right and would happily live with it framed on my wall but here is my response to it.

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I used layers of acrylic ink and paint with wax resist to create a group of four:

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A useful tip is to work on top of a good piece of paper – you create a series of loose and unintentional marks that might just look good:

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The second found object was a piece of plastic found whilst walking along the harbourside at Bosham – on the back it reads “Discharge” and it was the top section of a plastic folder – something to do with copying I think.  Anyway, whatever it is, I like it!  Again I worked with layers and scratch marks to create a group of six small works which I was pleased with:

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It was a first for me to work this small and I will do so again.  I’d also like to try this really big …  and on fabric ….