Trash or Treasure?

When I started to work with found objects, I began walking along the various bits of coast that I could access on my morning exercise with the dog.  I collected any items that caught my eye with a view to using it in my work.  However, it was not long before I felt compelled to start collecting the “trash” as well as the “treasure” and, sadly, there is much more of this.  People often ask me what has been the most interesting find so I thought I would compile a post to let you know!

 

In January 2017, I was walking at East Head, West Wittering when I found this object.  I had no idea what it was and took a couple of photographs, hoping to discover it’s identity when I got home.  I belong to an excellent online group of beachcombers and after many suggestions of coconut or coco de mere, someone suggested that it was part of a human cranium!  And so it was!  The police was called and the skull sent off for analysis.  Sadly, I never got to find out the results but believed it was mostly likely to be from an ancient burial at sea   .  The Daily Star headline ran “Mystery as ‘shipwrecked sailor” head found on British beach in odd circumstances” and for a day or two I was famous as the story went viral.  Of course I did not find a “head”, we don’t know who it belonged to and the circumstances were not “odd”!

I am drawn to all things rusty and confess to having quite a collection of items for use in rust dyeing and assemblage.  Here is one I particularly liked sitting on my kitchen windowsill:  Once again, it was not long before the alarm was raised and the police followed by the bomb squad visited!  I have found several objects since which have been more obviously questionable and now know to call the coastguard rather than bring the item home!

Rusty bottle Wittering 13:3:17.jpg

I would guess that most of the litter than I pick up has been either dropped at the beach by visitors or has washed in from the sea somewhere else in the UK.  I regularly find old shoes and shoe heels and soles and I think that these come from an old dump on the Isle of Wight some 24 miles away as the crow flies.

 

I often find objects labelled from overseas.  Whilst I can see that some of these have made the journey by sea from their apparent destination, some may have been purchased in the UK.  I recently found a label from Brazil, often find European packaging and occasionally things from the USA such as this lobster creel tag from Maine:

Melvin L Hutchinson

I am now in touch with this gentleman’s daughter who lives on a small island in Maine and the family are amazed that I found the tag belonging to Melvin who has just retired from 70 years as a lobster fisherman!

Some of my finds demonstrate the sad fact that plastics are prevalent in our seas and that they will take many many years to decompose – a drinks bottle will take 450 years to vanish!  Here a few examples of relatively recent finds (CLICK FOR DETAILS):

 

And, finally, I occasionally find an object and cannot ascertain it’s purpose.  I have now found nine of these little rubber items and am still none the wiser – they were found at differing locations but all within 5 miles or so of Selsey.  I know someone who has found a couple on the North East Coast of England too.  We agree that they are not rubber balls and can only think that they are some sort of protective cover.  If anyone could enlighten me I would be delighted!

 

Is it a painting of an object or a “painting”

I recently attended the last of three “Alumni” days at West Dean College.  There were 13 students all working on their own projects and two tutors were on hand to guide and support us in our work.  My passion is for found objects but I struggle with how to move them on in an artistic way when I consider them to be beautiful in their own right.

A year or so ago, I found a strip of seaworn rubber on the beach:

Seatown - rubber 1 Continue reading “Is it a painting of an object or a “painting””

Her Dark Materials

My first set of “Found Materials” works are back from Terry at ReFrame and I am delighted with them!  Thank you Terry!

Thank you to Elaine Bolt for her encouragement – you will see a little of the ceramics made with her at West Dean College recently.  These pieces will be on display at Venue 79  of the Chichester Art Trail over the first two weekends of May together with my mixed media and collage work and the beautiful monochrome photographs of my husband Alan Frost.  It will be interesting to see how his work and mine work together – there is definite similarity in terms of colour choice but whilst his is about technical perfection my work is much more rustic!

I am looking forward to seeing the last pieces framed and also to the arrival of a wooden plinth for my trio of sculptures … watch this space!

I hope that these items will not only appeal to some people as pieces of art but also raise awareness of the amount of debris that is thrown into the sea.  All of the found elements here came from the Chichester Harbour Area – I walk here most days with our dog and carry one bag for collecting discarded plastic and the like and the other for the items that I feel I can use – thank you to Chichester Harbour Conservancy for the work that they are doing in this beautiful area of West Sussex – perhaps more of us can do our bit by collecting rubbish when we are out and about.  Here are the lids I picked up this morning during an hour at Church Norton.  Maybe you can beat the number that I found?

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My first foray into ceramics

In anticipation of spending four days with Elaine Bolt at West Dean College, I decided it would be prudent to learn a little about the subject first.  So I contacted Elaine and arrange to spend a day with Elaine Bolt at her studio in Brighton.

I had a wonderful time!  Elaine was a lovely lady and a great teacher who allowed me to run with the ideas that I had.  I wanted to use some of my found materials and incorporate them with ceramic.  First of all, I had the idea of using a piece of boot leather that I had found at Eastbourne.  I like the way it was twisted, I liked the holes and I liked the patina of the sea-salted leather.  I decided to form a vase and wrap the leather around it.  I chose porcelain here so that the white would contrast with the dark tones of the leather.  Here it is ready to be fired with the leather alongside:

holes were formed in the body of the upright.jpg

Another idea was to display a series of chip forks that I had found.  Oddly, these were found all bound together in a ridged plastic sleeve.  The fact that they had been squashed together meant that the action of the sea had made marks on the wood where the ridges had been.  I made a plaque from stoneware and covered it with slip to darken it.  Here it is with the forks (and an additional found piece) being auditioned to check the placement of the fixing holes.  Once fired, the pieces can be added to the plaque with wire.

carefully audioning the forks on the clay to determine where the holes are to go.jpg

Finally, I had a lovely piece of rubber shoe sole!  It’s lovely to me anyway!!  I wanted to try and replicate the colour, pattern and texture of this piece in different ways – firstly with ceramic.  This time I used a mixture of porcelain and stoneware to get the light and dark.  Here is the original and the clay piece – the second is larger at this stage to allow for shrinkage in firing:

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These are all interesting experiments. Elaine warned me that you can never be sure of the outcome and for a first timer, I guess I am particularly at risk but I look forward to being reunited with the fired pieces next week! Armed with a very small bit of knowledge (I realise that there is a huge amount to learn if I am to pursue this new area of interest) I can now plan what I would like to achieve during my next course. I think this idea has legs!  Thank you Elaine!

It’s not easy stitching through rubber!

One day last year I found an intriguing piece of rubber on the beach at Seatown, Dorset.  I can’t be sure what it started out as but it had obviously been patched numerous times and the sea had distressed the surface beautifully.

Seatown - rubber 1.jpg

My initial thought was to keep it intact as I loved it so much, but, on reflection I felt that there was so much going, it would be better to view it in bite sized chunks. So I tore it into five pieces.  This was a brave decision because, unlike with art that you have made, you will never be able to replicate a found object – once you’ve alterered it, it stays altered!

Next, I considered how I could add to the surface without distracting from the wonderful texture that the sea had created.  I chose some found pieces of paper and a little more rubber from another find and added them with stitch.  The original piece of found rubber was quite contorted and I considered laying the pieces under a heavy weight to flatten them before mounting – I have rejected that option because I think the twists and turns add interest to the piece but I will see what my framer has to say about it!

It is always a case of being careful to add just the right amount of stitch – too little or too much makes a deal of difference.  The aspect is also important and I will play with some variations in due course.

Here they are before I visit him:

 

RUBBER 1RUBBER 2RUBBER 4RUBBER 3RUBBER 5

Once they are framed, I will update you with how they look!