I am almost exclusively interested in landscape in my art work although my outlook is a little broader with photography. I recently came across the original images that I took whilst on a short holiday in Lanzarote in 2014 and, as I am now further along my artistic path, saw them with fresh eyes. I was particularly drawn to the shots that I took which considered the strong light and shade of that November in the Canaries where the shadows cast were so different to those that we see here in the UK. I began to instinctively want to crop them to emphasise the abstract shapes created on the walls around our villa. I played with photoshop a little, altering light and dark, shadow and contrast and saw that a single starting point could yield a vast range of images by using different crops and treatment. The next step will be to recreate what is seen here using paper and various mixed media – primarily ink, gels, charcoal and my latest find, cold wax.
There may be a lesson here to show that it is always worth re-visiting work years later and seeing it anew – you may be surprised at the potential in what you had discarded.
Here are just a few examples – I love the simplicity of form yet opportunity to play with texture that exist here – what do you think?
During my Foundation Diploma at www.westdeanorg.uk I undertook a series of courses working on both paper and fabric. Reflecting on what I had done over the two year, I realised that the work which got me most excited was that involving texture. Whilst I enjoyed printing in various forms, the flat and pristine outcomes just did not resonate with what I am all about which is texture, movement, mark making, serendipity, rough edges and a certain rawness.
Earlier this year I spent time with the lovely Jilly Morris – doing a course called “Visual language – marks, textures and surface.” I knew immediately I saw her work that she and I were on the same wavelength and so it proved! In fact, in between booking the course and undertaking it, a couple of people said, “I know who you should do a course with ….” which further endorsed my feeling.
If you like what I like, I thoroughly recommend a course with Jilly – here’s a taste of what we did – it involved sandpapers, stickers, wire brushes, sticking tape, beeswax, pastels, and WD40 to name but a few!
These are really simple starting points. Each of Jilly’s pieces comprise many layers and I look forward to further experimentation. So far, I have been playing with salt and saline solution, lemon juice, PVA glue and masking tape, liquid soap, candle wax, various polishes, sand, golden texture mediums and cold wax medium. I am restricting art media to acrylic ink and charcoal powder for the time being.