Dungeness – Britain’s only desert

Dungeness, at the Southernmost point of Kent, is unique – no boundaries, a desolate landscape with wooden houses, power stations, lighthouses and expansive gravel pits. Yet it possesses a rich and diverse wildlife within the National Nature Reserve in one of the largest shingle landscapes in the world.Dungeness has been designated as a National Nature Reserve (NNR), Special Protection Area (SPA) and a Special Area of Conservation (SAC). It is home to 600 species of plants which is a third of all plants found in the UK. The National Nature Reserve stretches across Dungeness to encompass the vast RSPB reserve and is intended to help protect the landscape and its wildlife.

My husband and I visited for the first time recently and it is an extraordinary place.  As the introduction above states, it is desolate.  We were only there for a few hours and will return without our dog so that we can explore the RSPB reserve and spend more time walking.  Even if you were only to stay for 5 minutes you would be struck by what a special place this is and I urge you to visit NOW before the changes that are starting get a real grip.

The contrast between the decommissioned nuclear power station and the beautiful flora and fauna is quite shocking. The windswept 468-acre estate, on Romney Marsh,  has just 22 properties, mostly converted railway cottages, which are largely owned by fishermen. But change is happening – some of the old wooden property is being replaced by  mini “Grand Design” houses.  Although the new properties are fitting in well, being a modern version of their predecessors and remaining low-key and modest, I could not help but wonder if the replacements are owned by second home owners.  As the owner of two holiday cottages, I cannot be so hypocritical as to condemn this but, in such a small community, I feel that even a few holiday homes would have a massive impact.   I note that when the estate was put up for sale in 2015 at £1.5m, the agent said: “It has considerable potential for increased income from tourism on top of the substantial income it already produces.”  It is now owned by EDF Energy and a quick search today found 7 holiday homes there.

Before, During and After ….

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Flattened
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A new build in progress
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Grand Design

Having said that, Dungeness is far from ruined and there are few outlets for the tourist to spend his money.  Long may it stay that way!  So go, take it in, draw, paint, walk, photograph, and enjoy … while you can!

With apologies to my husband, Alan, I could not resist turning a few images into black and white – it so suits the place!

 

 

 

 

 

Playing with black and white photographs

As you know, my husband is the photographer in the house (Alan Frost ARPS – www.alanfrostphotography.com) but that doesn’t mean that I can’t enjoy taking snaps and I do!  My love is the great outdoors and nature and, of course, these subjects lend themselves to colour.  However, it is interesting to note that, for me, black and white works better sometimes – colour can be a distraction making an image too busy.  See what you think:

Again, I am no expect in what I call “fiddling” and have only basic Photoshop skills but  can create some interesting effects even so:

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Grasses I
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Grasses II
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Cow Parsley
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Ferns
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Trio of Dandelion clocks

I enjoyed doing this for a change from my work on paper and in fabric and we are surrounded by wonderful scenery here in Piddlehinton, Dorset where we are staying for a few days.  A week or so from now I will be at Studio Eastbourne where I will be doing a course “Surface Treatments for Sculptural Forms” and really looking forward to that.  I will be at Studio 11 run by Christine Chester and look forward to spending time with Debbie Lyddon once again.  Let’s hope I do better with the sewing machine this time Debbie!

CHICHESTER ART TRAIL

We’ve done it!!  Alan and I have registered to be part of the Chichester Art Trail in 2018!  We have visited exhibitions many times in the past but this will be the first time either of us have been involved so please put the dates in your diaries (the first two weekends in May – 5th/6th/7th and 12th/13th and see if you can come along!

More details can be found here:Chichester Art Trail – we are looking forward to it!

I have decided to focus on my mixed media/collage pieces on paper and on my contemporary three dimensional work using found materials.  These are the three images submitted as part of the application process:

 

Alan will be displaying some of his Fine Art photographs – his work can be seen on

Alan Frost

Alan is an Associate of the Royal Photographic Society and works in monochrome taking inspiration from the local area and further afield within Great Britain.

So the game is on: first step is to have existing work mounted.  I will then live with these for a while before deciding which to frame.  Meantime, I want to devote my time to completing more work using my vast stock of found materials – I have many ideas to follow through … watch this space!

 

 

 

 

Light and Shadow

Abstract shapes original

I am almost exclusively interested in landscape in my art work although my outlook is a little broader with photography.  I recently came across the original images that I took whilst on a short holiday in Lanzarote in 2014 and, as I am now further along my artistic path, saw them with fresh eyes.  I was particularly drawn to the shots that I took which considered the strong light and shade of that November in the Canaries where the shadows cast were so different to those that we see here in the UK.  I began to instinctively want to crop them to emphasise the abstract shapes created on the walls around our villa.  I played with photoshop a little, altering light and dark, shadow and contrast and saw that a single starting point could yield a vast range of images by using different crops and treatment.  The next step will be to recreate what is seen here using paper and various mixed media – primarily ink, gels, charcoal and my latest find, cold wax.

There may be a lesson here to show that it is always worth re-visiting work years later and seeing it anew – you may be surprised at the potential in what you had discarded.

Abstract shapes 1

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Light and dark 3.jpg

More Walls 3More Walls 4.jpg

Walls Crop II 3.jpg

Here are just a few examples – I love the simplicity of form yet opportunity to play with texture that exist here – what do you think?

Light and dark

As we enter Autumn I am remembering those days earlier in the year which yielded such lovely shadows.  I thought I would look back at some of my photographs and drawings which made use this striking contrast of tone:

Shadows, Lanzarote

Lanzarote

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Wild Carrot, Chidham

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Elderflower, Chidham

 

What appeals to me with all of these images is the strong dark against light.  Where an image, in photography or art, uses light against dark and then dark against light it is known as Counterchange.

Even a simpler use of dark and light can add drama to an image.  I like to use a limited range of colour in my work and always try and remember the value of white space in a picture.

Quink plus pen at Cowdray Ruins.jpgThis sketch was worked en plain air at Cowdray Park in Sussex.  The quick was laid down in the studio beforehand and on site, I looked for a view that could use the marks that I had made.

Telegraph poles StoughtonThis pen sketch of telegraph poles uses simplicity of tone to create a strong image.  Both of these drawings were undertaken on a course taken by Maxine Relton – you can see her work here.

Close up Wood, Fishbourne
Blurred lines

The contrast is much less here but I still like the simple tones.  Working in monotone helps us concentrate on mark making and composition without the distraction of colour and much as I love colour, I find  myself drawn towards a simpler range hues in my work.  What do you think?